Even though I was warned not to trust all the stories, no one went into detail, so I didn’t know what that meant. It also has an unfortunate tendency to overshadow a movie star who was – regardless of his personal life – one of the finest actors of the 20th century. Both are widely thought to have contributed to Clift’s premature death of a heart attack in 1966, aged just 45. “My curiosity is rooted in the discrepancy between what I heard at home and what was known in the public,” explains Robert. Previously unseen stacks of 16mm home movies were also uncovered by the filmmakers, making for a hauntingly intimate portrait of Clift’s more private moments. A bout five years ago, filmmaking duo Robert Clift and Hillary Demmon Clift decided to make a documentary about Robert’s long-dead uncle. We wanted to look at some of the elements of his life, like his labour in acting, that got overshadowed. “For so many years, I thought this is someone that my family loved and here he is having a mental breakdown onscreen,” reflects Robert.
In truth, Robert says, “Monty always put an emphasis on his labour as an actor – he refers to himself in one interview as a ‘worker’, which you don’t hear very much when talking about acting.” Hillary adds, “He had integrity. It’s this family backstory that gives real heft to the documentary, and a genuinely unique perspective.In fact, he was reasonably comfortable with his sexuality, cheerfully dating both men and women.
“And the idea of tracing the construction of his persona.”There are two pieces of accepted wisdom about Montgomery Clift. I think that shifting that lens allows one to see his life from a completely different perspective.”Alan Ladd’s mysterious stranger in town fundamentally changed the way audiences believed in heroes.Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Elizabeth Taylor Talks About Montgomery Clift - Duration: 3:24.
As for his looks being ruined? The Last Post - Duration: 1:45. His sexually ambivalent, vulnerable characters were both revolutionary and ingenious; his influence invaluable to successive generations of actors.
He was unabashed enough that people like John Wayne and John Huston made disdainful or homophobic remarks about him while working with him.
We believe in Truth & Movies.Making Montgomery Clift is more essay film than staid biography, carefully deconstructing those decades of image-making around the star. Making Montgomery Clift explodes the myths surrounding the Hollywood star and queer icon. Even his issues around chemical dependency began long before his accident, after adolescent illnesses left him with chronic issues. Robert says of his uncle, “I feel his life has been defined through a lens that’s informed by outdated and homophobic ideas. The troubled life of Montgomery Clift (Entertainment Tonight 1990) - Duration: 4:01. innocentti 154,931 views.
One is that he was a closeted gay or bisexual man who felt hugely burdened by his sexuality; the other is that his fateful car crash in 1956, which permanently scarred his face and left him in chronic pain, accelerated his alcohol and drug dependencies and seriously damaged his self-esteem. 3:24. Brooks had the curious habit of recording everything, and kept audio of phone conversations with his brother.
He had concerns, and wouldn’t do a part if they weren’t addressed. RARE Marlon Brando Interview on The Tonight Show Starring Johnny Carson - 05/11/1968 - … 4:01. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. Not as much of an issue as biographers and writers have made it out to be.From finding his feat as touring acrobat to earning Hollywood leading man status, the story of this enduring icon is full of intrigue.This revisionism is much-needed.
Or misrepresented, overtaken by stereotypes.”They say you should never meet your heroes, but that’s just wrong. … We wanted a chance to broaden the idea of who Monty could’ve been. Now, in my forties, I can watch Judgement at Nuremberg and appreciate that performance as a performance.”As deeply entrenched as the romantic concept of Clift’s brokenness may be, it obscures a far richer and altogether more lively picture of the man.