this is definitely going to haunt meA very interesting study on death. Each day she watches over a small part of the world, protecting the people living their lives under her gaze. When a job spins out of control, Joe's nightmares overtake him as a conspiracy is uncovered leading to what may be his death trip or his awakening.Jackie works as a CCTV operator. I love that this movie starts right as she discovers the body. Her socialization gene was stunted at birth. All you do is float purposelessly until someone or something touches you, waking you up just so you realize how lonely you are or have been, but then since you're awake, you understand that you have nothing to lose. *SLIGHT SPOILERS BELOW BUT NOTHING PLOT RELATED*About as bleak as a movie can get. the music choices felt very personal - it was kinda surreal to see morvern in the supermarket listening to nancy sinatra... it felt like i was watching myself. Shrouding over her is a death that is not a mournful moment, but one that has become an inconvenience.
For its first half, it is about a stillness in life. We truly don’t deserve Lynne RamsayYeah shocker, really good. Felt odd at many times, but not in a way that’s unnatural. Things are left undone and not fully captured in frame. (PS: If you have trouble with Scottish accents, prepare to concentrate. Ramsey’s ability to squeeze style out of the weirdest places is on full display here, along with my favorite soundtrack in a while. Lynne Ramsay can find the most beautiful thing in the ugliest situation.Essential movies for lonely people out there (like me) if you want to feel something in this big big world.…top 5 all time breakup movie. Now she has no choice, she is compelled to confront him.Samantha Morton stars as a "morally ambiguous" young Scottish woman who seems to come into and go from her life and surroundings without the least bit of effect from others or towards herself. Much is made elsewhere of the boyfriend's letter to Morvern, what it suggests about him.…Mood > Narrative. Think of this story as one expressing Distances Detachments Disabled Psyches. But Kevin is just getting started, and his final act will be beyond anything anyone imagined.Captures three occurrences in a young girl's life that leave her with a heavy heart.An outer-space story influenced by Moby-Dick.Keep up with all the biggest announcements and updates with IMDb's breaking news roundup of Comic-Con@Home 2020.Life through the eyes of an addict.An unabashed kid navigates the filthy world of 1973 Glasgow, preoccupying himself with the equally poor youth around him.The relationship between a father and daughter is complicated by the arrival of a handsome young man.You must be a registered user to use the IMDb rating plugin.Related lists from IMDb editorsRevisit these iconic summer movies, from coming-of-age favorites, to whirlwind romances, to camp slashers.Over the summer, a series of unfortunate happening triggers a financial crisis for a young woman and she soon finds her life falling apart.A traumatized veteran, unafraid of violence, tracks down missing girls for a living. Her reactions seem consistently inappropriate ill timed for the moment. Instead, Morvern attempts to use both to reinvent her life.the visuals were so beautiful that the movie worked without having much of a story or dialogue.
It has a delicate nature of its own, like a young soul discovering the world and its wonders when given the opportunity instead of drowning oneself into the existentialist state of "crying over spilt milk".Lynne Ramsay and Samantha Morton do an amazing job of putting us inside Morvern’s mind. If Antonioni is “Eros is sick”, this is “Thanatos is sick”, if that makes sense.
The Brits abroad stuff made my skin crawl a bit, way too real.A year between viewings and a more seasoned appreciation for non-narrative cinema was all it took for me to realize that this film is a masterpiece.Fucked-up and enigmatic, like movies should be :)Quite a wonderful film.
Lynne Ramsay (born 5 December 1969) is a Scottish film director, writer, producer, and cinematographer best known for the feature films Ratcatcher (1999), Morvern Callar (2002), We Need to Talk About Kevin (2011), and You Were Never Really Here (2017). As an aimless, young Scottish woman in Lynne Ramsay’s second feature, she is pitch-perfect.We get a dead body, and next to it we get flashing lights draped on a pointless Christmas tree. The screenplay, written by Ramsay and Liana Dognini, was based on the 1995 novel of the same name by Alan Warner.